In the latter half of the 17th century was the emergence of Kathakali. Tnpuran Kottarkkra designed by scholars that 'Ramanattm' is a development of the Kathakali. Ultimately the combination of several theatrical arts and the effects were Snvrta nature of Kathakali.
According to the time of Kathakali costumes, music, playing, acting - customs, rituals etc. All areas have changed. Palaces in the conservation of Brahmins and narrative dance theater is Cdta on the steps of development. This is why the number of actions Anushtanprk.
It is commonly believed that Kottarkkra Tnpuran (King) of Kathakali, which was first conceived, it is not exhaustive, and it was by Tnpuran Kottayam universalizing act of making art. Ramanattm manner of acting, costume and playing sect at first refined Vettthu who were kings. It Vettthu sect "was known to. Kottayam Tnpuran (18th century) and composition of the four famous Attkkthaon lists based on the variation in performance of Kathakali. The Tnpuran (king) who invited Vellattu Mttanceri Kovilkm the Chathu Panikkar (palace) Ramanattm in delivering education. Chathu Panikkar's Kळri '(Art School) was located in a place called Kalldikkod Palakkad district. He Vettthu cult sophistication. Before the ceremony 'Kalldikkodn cult' was known. Serving the community since 1890 became prevalent.
Maharaja of Tiruvitankur Tirunnal Ramavarma Karthik, who was the creator of Attkktha, nurture Kathakali - enhancements. His master Kplingatt theater directed by Narayanan Nanputiri Kthkळi are several sophistication. His cult 'Kplingadn' or 'Tekkan Citta' is known. Ultimately the distinctions between these different sects became extinct, Kplingad and coordinating Kalldikkod sects developed the style he Kalluvsi Citta 'is known.
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